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Live
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The Auction Centre
Kenn Road
Kenn
Clevedon
Bristol
BS21 6TT
United Kingdom
The Interiors Sale
To include; antique furniture, clocks, paintings, ceramics, oriental, jewellery, silver, and a wide range of collectors' items etc
Auction dates
09 Jan 2025 10:30 GMT
Viewing dates
08 Jan 2025 10:00 - 17:00 GMT
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We found 92 items matching your search
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Two silver mounted picture frames with ribbon decoration, sponsor's marks of Henry Matthews, Birmingham 1912 and 1914, 25.5cm high (apperture 21cm x 15.5cm) and smaller, together with a George V silver mounted photo frame, Birmingham 1916 (3)
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Collection of early 20th century plaster and wax early seal impressions, to include Henry III, Charles I, Charles II, and William IV, 14.5cm diameter and smaller (23)
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Collection of early 20th century plaster and wax early seal impressions, to include Edward the Confessor (2nd seal), Edward IV, James II, 11cm diameter and smaller (14)
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Plaster impression of the seal of George III, together with a small group of other wax and plaster early seal impressions, 15cm diameter (12)
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Group of early 20th century facsimile plaster seal impressions, 15cm diameter (9)
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Reeves & Sons painting box with artists pallet, tube of oil colour paints, and other accessories, 39.5cm x 29.5cm
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Hailwood & Ackroyd Type 01 miners safety lamp, together with another by Ackroyd & Best, 25cm high (ex.hook), and First World War Verner's Pattern Mk. VIII compass, numbered 71392, with broad arrow and dated 1917 (3)
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Collection of thirty-seven Grand Tour style metal intaglios, each of rectangular form cast with hieroglyph type subjects, 60mm wide and smaller
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Collection of forty-one Grand Tour style metal intaglios, each of rectangular form cast with hieroglyph type subjects, 68mm wide and smaller (41)
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Collection of forty-two Grand Tour style metal intaglios, each of rectangular form cast with hieroglyph type subjects, 63mm wide and smaller (42)
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Collection of thirty-seven Grand Tour style metal intaglios, each of rectangular form cast with hieroglyph type subjects, 60mm wide and smaller (37)
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Jose Luis Casasola for Ebano International - Limited edition (1044 / 3000) bronzed resin sculptural group, 'Grandparents' from the Vidal collection, hand numbered and impressed 'Casasola' in the cast, plaque to base, 36.5cm high, with original numbered certificate of authenticity card and biographical card to pouch verso
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95
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Eastern miniature carved figure of a lion, modelled in crouching pose, with straight-grained mane and curly coat, on integral domed base, 6cm long x 5.5cm high (a/f)
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Three 19th century Chinese Canton Famille Rose porcelain plates, painted with a cockerel perched atop rockwork, another standing on the ground amongst peonies and flowering foliage, the rim with a pink diaper border with four floral cartouches, 23.5cm diameter (3)
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Edward Lear, 'The Owl & The Pussy Cat and The Duck & The Kangaroo', Frederick Warne and Co., 1892, and other 20th century children's books, to include; second impression of 'Hare and the Easter Eggs by Alison Uttley, and another early edition of 'Little Grey Rabbit's Party', a selection of Beatrix Potter books, etc
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18th century 'Matthew's new & correct plan of the City and Suburbs of Bristol', 1794, 47cm x 36cm, together with three 1950s facsimile Bristol maps, reproduced by Messrs. Waterlow & Sons Limited, Bristol, lithographs, and album of Bristol prints, all unframed
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19th century English school - Watercolour - Classical landscape with figures, unsigned, 48cm x 68cm, in gilt frame under glass
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William Faden, (1749-1836) – 'Plan of the coast of Cherbourg, with A Sketch of the Works which the French are now executing to inclose and defend the road, &ca.' , with text beneath 'Description of the truncated cones, or conical caissons, now constructing to cover the road of Cherbourg...', published 14th May 1787, plan plate impression size 35cm x 48cm, overall including text 51.5cm x 48cm, in card mount and Hogarth-type frame under glass William Faden (1749–1836) was a notable English cartographer and publisher of maps and served as the Royal Geographer to George III.
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100
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Rowland Langmaid (1897-1956) - Two etchings - The Needles, and London Bridge, both signed in pencil lower right, 9cm x 30cm and smaller, both framed under glass (2) David Cross label present to one
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170
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Arthur Briscoe (1873-1943) - Etching - 'Brightlingsea', signed in pencil, 24cm x 36cm, together with a small etching by Briscoe, 14cm x 17.5cm, both framed under glass (2) David Cross labels verso
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John Farleigh, (1900-1965) - Wood engraving - 'Park Gate', unsigned, handwritten label verso 'Park Gate by John Farleigh. 1956. 50 copies. Poole pp. 96 / 7 & 118. Authenticated at the edge of the sheet by the author's niece' , 48cm x 33cm, framed under glass
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John Farleigh, (1900-1965) - Small limited edition wood engraving of flowers (Foxgloves or similar), untitled, numbered 8/10 lower left, inscribed in ink to label verso 'By John Farleigh. Not in Poole. Authenticated at the edge of the sheets by the artist's niece.' , 17cm x 2.3cm, framed and glazed, plus a second unframed wood engraving of blossom, numbered 5/10 lower right, further numbered '222' to corner and inscribed in pencil to outer edge 'From John Farleigh's Studio 36 Belsize Grove N.W. 3. Barbara Kane (niece)', with label verso 'Engraving by John Farleigh. Number 5 of 10 copies. After his death Farleigh's studio was cleared by his niece, Barbara Kane, who authenticated this work' , image 10.2cm x 4cm, on card backing (2)
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110
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Graham Clarke (b. 1941) - Two signed limited edition prints from the 'History of England' series - 'Men of Kent' and 'Steamers', 75/200, 48cm x 37.5cm, both framed, behind glass
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190
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Four late 19th century Arundel Society prints comprising; 'The Anunciation', 'St. Ursula and Her Virgins', 'Annunciation Angel', and 'Patron Saint of Cologne', 19.5cm x 38cm, all in oak frames under glass (4)
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70
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Sakko - Limited edition print - 'Land of Legends II', glass edition 10/10AP, 62cm x 75cm, framed DeMontfort Fine Art certificate of authenticity verso
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Graham Isom (b. 1945) Signed limited edition print - The 1989 Cheltenham Gold Cup, 7th Fence, Desert Orchid with Simon Sherwood up, and Yahoo, Tom Morgan, signed by the artist and by the winning jockey Simon Sherwood in pencil to the lower margin, limited edition print numbered 501/550, published by Michael Stewart Fine Art Ltd, Bristol, 1989, mounted, 55cm x 71cm, framed and glazed
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Sakko - Limited edition print - 'Land of Legends I', glass edition 5/10AP, 62.5cm x 75cm, framed DeMontfort Fine Art certificate of authenticity verso
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220
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Fabian Perez (Argentinian, b.1967) - Signed print - 'Tablado Flamenco IV', hand-embellished giclée on canvas board, 55 / 195, 54.5cm x 40.5cm, in ebonised frame, De Montfort Fine Art certificate of authenticity and biographical notes verso
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Henry Charles Fox RBA (British, 1855-1929) - Watercolour - Autumn pond scene, signed and dated 1893 lower left, 73.5cm x 53cm, framed under glass
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Richard Allam (19th century) - Pair of oils on canvas - Newlyn Harbour, Cornwall, and a Cornish Bay (indistinctly titled verso), signed lower left, 19cm x 29cm, framed under glass
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20th century English school - Oil on canvas - 'Montmajour Provence', unsigned, titled lower left, 53cm x 65.5cm, framed
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Elsbeth Buff (20th century, English) - Six acrylics on board and canvas - abstract nature scenes, unsigned, 60.5cm x 122cm and smaller, three framed, three unframed
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Elsbeth Buff (20th century, British) - Five acrylics on board and canvas - Abstract nature scenes, unsigned, 61cm x 76.5cm and smaller, unframed
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William Williams of Plymouth, (1808-1895) - Oil on board - Stag in a landscape, signed and dated 1887 lower right, 18cm x 26cm, framed
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Italian School, manner of Giuseppe Giardiello (1877-1920) - Oil on canvas - Street scene with market vendor, unsigned, 28.5cm x 33cm, in later swept gilt frame
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David Forrester Wilson, RSA (Scottish, 1873-1950) - Watercolour - Woman carrying a bundle of sticks, signed lower left, 50cm x 32cm, framed under glass Born in Glasgow in 1873, David Forrester Wilson attended evening classes at Gorbals Public School whilst working as a traveller in tea, and 1899 gave up his business career to study at the Glasgow School of Art under Professor Delville. He won the Haldane Scholarship in 1901 and in 1905 travelled to mainland Europe where he continued his study of painting in Italy, Belgium and Paris before returning to the UK to study in London.Wilson returned to Glasgow and re-joined the Glasgow School of Art, this time as a member of staff, where he remained until he retired from teaching in 1938. He was appointed ARSA in 1922 and RSA in 1932. His works were mainly exhibited at the Royal Scottish Academy and the Glasgow Institute of Fine Arts, but his works were also shown in Chicago, Pittsburgh and Buffalo. When Andy Warhol’s estate was offered posthumously at Sotheby’s in 1988, several works by David Forrester Wilson emerged from Warhol’s personal collection, one selling for a multiple-estimate $110,000. The painting hung in the boardroom of ‘The Factory’ in New York.
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85
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Rev. Charles Bethell Otley (1792-1867) - Watercolour - Thornbury Castle, 23.5 x 34.5cm, named and dated 1825 to mount, framed under glass
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140
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Duncan Macleod (Scottish b.1955) - Mixed media - Rural landscape, signed left, 29.5cm x 33cm, mounted and framed under glass
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260
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John Falconer Slater (British, 1857-1937) - Oil on board - Bend in the River, signed lower left, 45cm x 57cm, in silvered frame Alexander Gallery label verso
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Becky Samuelson (British) - Oil on board - 'Honfleur Harbour', signed lower right, 49cm x 49cm, framed Alexander Gallery label verso
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300
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Gyrth Russell, RI, ROI, RSMA (Anglo-Canadian, 1892-1970) - Oil on canvas board - Harbour scene, possibly Penarth, Wales, signed lower right, inscribed verso with additional vignette of a sailing boat, label of authentication signed by Gyrth's wife Ronagh Russell, 49.5cm x 75cm, framed
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45
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Kenneth (Ken) Leech, (1910-1995) - Oil on plyboard - Two portraits - 'Liza Minelli' and 'Judy Garland, Sadness', both signed and Minelli dated '89 verso, 45.5cm x 37cm and 17cm x 17cm, both framed
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Kenneth (Ken) Leech (1910-1995) - Oil on plyboard - Three portraits, Katharine Hepburn, Kay Kendall, and Deborah Kerr, signed and dated verso '93, '91, '92 respectively, 58cm x 43cm, 33cm x 23cm, 38cm x 33cm, all framed
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Kenneth (Ken) Leech, (1910-1995) - Oil on plyboard - Two portraits, 'Rosanna Arquette, Film Actress', signed and dated '89 verso, and another untitled, signed and dated '80 lower left, 51cm x 40.5cm and smaller, both framed
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Kenneth (Ken) Leech, (1910-1995) - Oil on plyboard - 'La Senorita' and 'Memory of a leave in War-time Italy', signed and dated '91 and '93 verso respectively, 61cm x 50cm and 47.5cm x 52cm, both framed
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Kenneth (Ken) Leech, (1910-1995) - Oil on plyboard - 'Autumn in the Park (Ashton Court)', signed verso, 44cm x 55cm, framed
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Kenneth (Ken) Leech (1910-1995) - Oil on canvas - 'Borrowdale, Cumberland', after S. R. Percy (1821-1886), signed and dated '95 verso, 75cm x 105cm, framed
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Kenneth (Ken) Leech, (1910-1995) - Oil on plyboard - Two woodland scenes, 'Coombe Dingle, Henbury, Bristol', and 'Woodland - Springtime', signed and dated '92 and '90 verso respectively, 54cm x 34cm and 23.5cm x 34 cm, both framed
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Kenneth (Ken) Leech, (1910-1995) - Oil on board - 'Memory of Portugal', signed and dated '92 verso, 48cm x 59cm, together with S J Bailey - oil on board - a temple ruin, signed and dated1985, lower right, 41cm x 59.5cm, both framed
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120
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Kenneth (Ken) Leech, (1910-1995) - Oil on plyboard - 'Yacht approaching - Falmouth in blustery weather' and 'The Red Rocks of Eddystone', both signed and dated '90 verso, with two other oils on board depicting coastal scenes by other hands, one by Mary Irene Goulding, signed lower right, 69cm x 84.5cm and smaller, all framed (4)
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70
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Kenneth (Ken) Leech, (1910-1995) - Oil on plyboard - Nude scene, after David Napp, signed and dated '93 verso, 33.5cm x 48cm, framed
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Joseph Vayreda, (Spanish, 1932 - 2001) - Oil on canvas, 'Paris', signed upper right, 29cm x 59cm, framed, with E. Julien La Poue, watercolour, Parisian street scene, and two other oils (one unframed), together with two Hans Erni prints, framed (6)
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English School, early 19th century - Watercolour - Portrait of a lady, depicted bust length wearing a stylish hat, 14cm x 11cm, inscribed to left left border in sepia ink 'Hogarth Pinx't ', later framed and glazed
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Robert Hills (1769-1844) - Pencil - Studies of deer, faintly inscribed upper right, 17cm x 9.8cm, framed and glazed Provenance note verso from Abbott & Holder, 30 Museum Street, London, stating "Robert Hills O. W. S. (1769-1844). Studies of Deer. Bought from the first exhibition 'downstairs' at 73 Castelnau. Probably £25. Private Collection, London."
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30
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30
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Kenneth S. Tadd - Watercolour - Rural river scene, possibly near Bath, signed lower right, 33.5cm x 50cm, mounted, framed under glass
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30
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20th century English School - Watercolour - 'St Ives, Cornwall', 17cm x 24.5cm, mounted in gilt frame under glass Q Gallery label verso
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50
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50
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Glynn Thomas (b.1946) - Pair of signed limited edition etchings, 'Provencal Villages', 19/200, and 'Hidden Venice', 94/200, both signed in pencil lower right, 54.5cm x 21cm, framed under glass
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80
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80
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Henri Fabre (French, 1880-1950) - Pair of oils on board - Boats at harbour, both signed, 17cm x 29.5cm, in gilded white painted frame with artist name plaques (2)
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I.R. Faberi - Oil on canvas - Italian lake scene, signed lower left, 60cm x 120cm, framed
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Group of four early 20th century unsigned watercolour studies of India, 'Sunrise from the Station Hospital, Ranikhet', 'View between Khati and Divali, on the way to Pindari Glacier', 'Ranikhet' and 'Circular Road, Ranikhet', 26cm x 18.5cm and smaller, all framed under glass with gilt titled mounts (4)